Monique Jean

Monique Jean studied electroacoustic composition at the Université de Montréal. Besides her acousmatic creations, her works are also regularly associated with experimental film and video, dance and installation. Her harbour symphony, L’Appel des machines soufflantes (The Call of the Whistling Machines) – sponsored by Radio-Canada – was created in March 1998 in the port of Montreal. In 1999, she was guest composer for the city’s Rien à Voir series. Her works, from 13’13 (for disfigured voices) to Figures of Time, form a cycle where voice, tensions, fractures and material shocks effect a transformation of the political towards the poetic (‘…a disturbing portrayal of human anguish, shot with crazed, obsessive voices.’ – The Wire). Since Low Memory #1, her work situates itself at the meeting of instrumental sound as immediacy and individuality and electronic sounds as violent sonorities and movements; dense and profound as an opening to alterity at the very heart of the sound structure. Her works have been performed in numerous concerts and festivals such as: Electra (Montreal), Festival Futura (France), L’Espace du son 2000 (Bruxelles), Cyber@rt (Spain), Florida Electroacoustic Festival 10 (United States). Her music may be heard on the PEP and Empreintes DIGITALes labels.

https://electrocd.com/en/artiste/jean_mo/Monique_Jean

Related Activities

HTMlles Maid in Cyberspace 4 – 2001 :: Mutating Cultures and Identities

Consulter « HTMlles Maid in Cyberspace 4 – 2001 :: Mutating Cultures and Identities »

7 February 2001

Étiquette(s)

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Maid in Cyberspace Web Art Festival Les HTMlles: le Festival de cyberart du Studio XX February 7th – 11th 2001 At the Cinémathèque québécoise 335, de Maisonneuve Est, Montréal, Québec Studio XX, Montreal’s women’s media art centre is pleased to present the 4th edition of its Maid…